{"id":20310,"date":"2022-05-28T15:51:11","date_gmt":"2022-05-28T18:51:11","guid":{"rendered":"https:\/\/alespacodearte.com\/uncategorized\/a-modernidade-e-o-seu-limite\/"},"modified":"2023-08-23T14:28:10","modified_gmt":"2023-08-23T17:28:10","slug":"modernity-and-its-limits","status":"publish","type":"post","link":"https:\/\/alespacodearte.com\/en\/lectures\/modernity-and-its-limits\/","title":{"rendered":"Modernity and its limits"},"content":{"rendered":"[spb_row element_name=”Texto” wrap_type=”standard-width” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”no” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]\n

Modernity and its limits<\/strong><\/p>\n

Lecture with Paulo Gallina<\/strong><\/p>\n[\/spb_text_block] [\/spb_row] [spb_column col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”first”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]\n

Service
\n<\/strong>Date: 06\/28
\nTime: 7pm
\nLocation: online via Zoom
\nFree tickets at alespacodearte.com<\/p>\n

More information atelieale@alespacodearte.com<\/a><\/strong><\/p>\n

In the speech \u201cmodernity and its limits\u201d he speculates about European modernity, presented to the Brazilian nation between 1918 and 1922. Making a case study on works by artists from the 1922 Modern Art Week and contemporary artists, the critic and curator will present the modern project and discuss the inflections that generate the post-modernity in which we live.<\/p>\n

Art critic and independent curator, Paulo Gallina graduated in History from the University of S\u00e3o Paulo (USP). He participated in the Critical and Curatorship Study Group at ECA-USP, guided by Professor Domingos Tadeu Chiarelli (2009-2012) during his training. He collaborated with the independent spaces: Ateli\u00ea O\u00c7O (2010), Ateli\u00ea 397 (2013) and Espa\u00e7o T.A.Z. (2019); as a resident critic. He served as a critic and curator at the Research and Curation Nucleus of Instituto Tomie Ohtake (2010-2013). He taught art history courses at institutions such as Instituto Tomie Ohtake (2013-14), Instituto Ita\u00fa Cultural (2014) and Centro de Pesquisa e Forma\u00e7\u00e3o-SESC (2018). He curated the following exhibitions: Nino Cais: Das Bandeiras e dos Viajantes (SESC, S\u00e3o Carlos, Ribeir\u00e3o Preto and S\u00e3o Paulo, 2013); First Reading (Zipper Gallery, S\u00e3o Paulo, 2014); The knowledge of the line (LAB570, S\u00e3o Paulo, 2014\/PINTA LONDON, London, 2015); Something disposable (Art Museum of Ribeir\u00e3o Preto, Ribeir\u00e3o Preto, 2014); Precarious structures (Galeria Paralelo, S\u00e3o Paulo, 2015); Erasures (Caixa Cultural, S\u00e3o Paulo, 2016); Lasting solutions (Tal Galeria, Rio de Janeiro, 2017); The lives of extraordinary people (MNAV, Montevideo, 2017); Machine without words (MFCC, Curitiba, 2017); Everything covered (Galeria Aura, S\u00e3o Paulo, 2017); Terra em Chamas (Caixa Cultural, Rio de Janeiro, 2018), among others. He has published books and catalogues, highlighting the critical readings of the Collection: Other Approaches Volume II, published by the Museum of Contemporary Art at USP, and the essay Sobre calar, prepared for the catalog of the exhibition The First 10 Years, held at Instituto Tomie Ohtake, of which he was also one of the curators.<\/p>\n[\/spb_text_block] [\/spb_column] [spb_column col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”last”] [spb_video link=”https:\/\/vimeo.com\/727140393″ remove_related=”yes” autoplay=”no” full_width=”no” width=”1\/1″ el_position=”first last”] [spb_blank_spacer height=”30px” width=”1\/1″ el_position=”first last”] [spb_image image=”18902″ image_size=”full” frame=”noframe” caption_pos=”hover” remove_rounded=”yes” fullwidth=”no” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [\/spb_column]\n","protected":false},"excerpt":{"rendered":"

[spb_row element_name=”Texto” wrap_type=”standard-width” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”no” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”] Modernity and its limits Lecture with Paulo Gallina [\/spb_text_block] [\/spb_row] [spb_column col_sm=”6″ […]<\/p>\n","protected":false},"author":1,"featured_media":20098,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","footnotes":""},"categories":[60],"tags":[],"class_list":["post-20310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures"],"_links":{"self":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/posts\/20310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/comments?post=20310"}],"version-history":[{"count":0,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/posts\/20310\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/media\/20098"}],"wp:attachment":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/media?parent=20310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/categories?post=20310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/tags?post=20310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}