{"id":20311,"date":"2022-05-12T15:50:22","date_gmt":"2022-05-12T18:50:22","guid":{"rendered":"https:\/\/alespacodearte.com\/uncategorized\/lacunas-e-sobras-a-anarquitetura-de-gordon-matta-clark\/"},"modified":"2023-08-23T14:29:30","modified_gmt":"2023-08-23T17:29:30","slug":"gaps-and-leftovers-the-anarchitecture-of-gordon-matta-clark","status":"publish","type":"post","link":"https:\/\/alespacodearte.com\/en\/lectures\/gaps-and-leftovers-the-anarchitecture-of-gordon-matta-clark\/","title":{"rendered":"Gaps and leftovers: the anarchitecture of Gordon Matta-Clark"},"content":{"rendered":"[spb_row element_name=”Texto” wrap_type=”standard-width” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”no” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]\n

Gaps and leftovers: the anarchitecture of Gordon Matta-Clark<\/strong><\/p>\n

Lecture with Magnolia Costa<\/p>\n[\/spb_text_block] [\/spb_row] [spb_column col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”first”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]\n

Service
\n<\/strong>Date: Monday, 6\/13
\nTime: 7pm
\nLocation: online via Zoom<\/p>\n

Free tickets at alespacodearte.com
\nMore information atelieale@alespacodearte.com<\/p>\n

At this meeting, art critic Magn\u00f3lia Costa<\/strong> talks about the positioning of artists in the face of transformations in the urban scene, involving issues such as gentrification and occupation of public areas. The discussion takes place around Gordon Matta-Clark’s interventions in New York in the 1970s. Matta-Clark challenged the modernist legacy by developing a pioneering work anchored in the concept of anarchitecture.<\/p>\n

Magn\u00f3lia Costa, <\/strong>PhD in Philosophy from USP, essayist, translator, art critic, curator and professor of art history. She taught at MAM S\u00e3o Paulo between 2001 and 2021, where she headed the Research and Publications Sector and served as head of Institutional Relations. She is the author of Nicolas Poussin: Idea of the landscape (Edusp, 2020) and founder of the distance learning platform that bears her name, active since 2019 and certified with the USP DNA seal of innovation. She regularly publishes articles on philosophy and art criticism on the blog Arte com Mag.<\/p>\n

With 25 years of experience in teaching, Magn\u00f3lia Costa has formed a wide repertoire of themes. In addition to European art, she teaches criticism of Brazilian art, culture and art, covering a historical arc that goes from the 15th century to the present day. Among her current research, stand out relational art, the action of museums in the geopolitical context, the relationship between art and nature, art produced by women and their presence in artistic institutions.<\/p>\n

Magn\u00f3lia Costa introduces criticism into the field of art history, that is, it analyzes the work of art in the light of philosophical concepts and the sociocultural context in which it was produced. Her classes open up a deeper field of reflection, where the approach to the artistic object favors the formation of synapses and, therefore, a new understanding of history.<\/p>\n[\/spb_text_block] [\/spb_column] [spb_column col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”last”] [spb_video link=”https:\/\/vimeo.com\/727140393″ remove_related=”yes” autoplay=”no” full_width=”no” width=”1\/1″ el_position=”first last”] [spb_blank_spacer height=”30px” width=”1\/1″ el_position=”first last”] [spb_image image=”18898″ image_size=”full” frame=”noframe” caption_pos=”hover” remove_rounded=”yes” fullwidth=”no” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [\/spb_column]\n","protected":false},"excerpt":{"rendered":"

[spb_row element_name=”Texto” wrap_type=”standard-width” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”no” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”] Gaps and leftovers: the anarchitecture of Gordon Matta-Clark Lecture with Magnolia Costa […]<\/p>\n","protected":false},"author":1,"featured_media":20097,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","footnotes":""},"categories":[60],"tags":[],"class_list":["post-20311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures"],"_links":{"self":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/posts\/20311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/comments?post=20311"}],"version-history":[{"count":0,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/posts\/20311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/media\/20097"}],"wp:attachment":[{"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/media?parent=20311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/categories?post=20311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alespacodearte.com\/en\/wp-json\/wp\/v2\/tags?post=20311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}