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O Fim Secreto de Todas as Coisas [The Secret End of All Things]
-O Fim Secreto de Todas as Coisas is an exhibition that links aesthetics and memory. If death is inescapable for humanity, oblivion will not be its legacy.
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Mobile Photography Workshop with André Oliveira
-The inclusion of cameras in cell phones was one of the fundamental factors for the act of producing images to become increasingly routine.
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Aqui mesmo onde me encontro [Right here where I find myself]
-As a verse to be interpreted, Ana Rey’s work reminds me of a strong connection to haiku: a poem of Japanese origin that is characterized by conciseness and brevity.
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Hierofania [Hierophany]
-The exhibition Hierofania deals with the manifestation of the sacred in the concrete world through symbols. The sacred as a function of giving meaning to profane things, the symbols as a link that connects the two worlds.
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Introduction Drawing and Painting Techniques
-The course, in a continuous way, proposes to accompany the students in their journey of exploring the art of painting.
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Ecos Urbanos [URBAN ECOS]
-We are very proud to present Ecos Urbanos, a commemorative exhibition of Alê Espaço de Arte with the participation of artists from Projeto Portão, which boosted Alê Espaço de Arte in its formation.
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Modernity and its limits
-In the speech “modernity and its limits” he speculates about European modernity, presented to the Brazilian nation between 1918 and 1922.
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Traffic(o)
-The exhibition is an extension of Do write (right) to me, an exhibition that has already been shown in spaces in New York and Miami and is now also in São Paulo, taking place in parallel with Traffic(o).
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Monumento à efemeridade impermanência [Monument to Ephemeral Impermanence]
-Humanity has been looking for something that lasts for a long time. In spite of the world being impermanent, in spite of all the world that breathes, has breathed or will breathe beneath the heavens is rotating at approximately 5,400 km/h around the earth’s axis.
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Animal Planet
-Monique Huerta’s research revolves around fitting objects in their non-binary connectivities and the possibility of sculpture as a living potential for contact.